What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Released on Philips Classics, also Serenade no. 10 in B-flat major, K. 370a/361: Adagio (Wind Ensemble of the Academy of St Martin in the Fields), Oboe Concerto in D minor: II. Adagio (Heinz Holliger) and Serenade in B-flat, KV 361 “Gran Partita”: 7. Finale (Molto allegro) (Wind Ensemble of the Academy of St Martin in the Fields)
Written by Hector Berlioz, also Symphonie fantastique, op. 14: II. Un bal (Koninklijk Concertgebouworkest), La Damnation de Faust, op. 24: Hungarian March (Berliner Philharmoniker) and Requiem, op. 5 (Grande Messe des Morts): 9. Sanctus (Luciano Pavarotti)
Part of Harold en Italie / Tristia, op. 18 / Les Troyens à Carthage: Prelude, also Harold en Italie, op. 16: 3. Sérénade (Allegro assai - Allegretto) (今井信子), Tristia H. 119, Op.18: Marche funèbre pour la dernière scène d'Hamlet and Les Troyens à Carthage: Prelude from Part II, Act 3 (London Symphony Orchestra)
Worth knowing
Counted from cited credits on fono.
Hector Berlioz wrote 205 songs on fono
Hector Berlioz’s most frequent co-writer is Pierre-Ange Vieillard (11 songs together)
Hector Berlioz first appears on fono in 1963, 20 years before this song
Credits
All 5 credits
- Written by
- Anne-Louise Swanton-Belloc and Hector Berlioz
- Performed by
- The John Alldis Choir
- Released on
- Philips Classics
- Written by
- Anne-Louise Swanton-Belloc and Hector Berlioz
- Performed by
- The John Alldis Choir
- Released on
- Philips Classics
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same writer: Hector Berlioz
Same label: Philips Classics
Same release: Harold en Italie / Tristia, op. 18 / Les Troyens à Carthage: Prelude
Same writer: Hector Berlioz
Same label: Philips Classics
Same release: Harold en Italie / Tristia, op. 18 / Les Troyens à Carthage: Prelude
Same writer: Hector Berlioz
Same label: Philips Classics
Elsewhere
Sources (6)
Every fact on this page comes from one of these sources.
1MusicBrainz Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was performed by The John Alldis Choir
Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was performed by The John Alldis Choir
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was written by Anne-Louise Swanton-Belloc
Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was written by Anne-Louise Swanton-Belloc
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was written by Hector Berlioz
Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was written by Hector Berlioz
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) is part of the release Harold en Italie / Tristia, op. 18 / Les Troyens à Carthage: Prelude
Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) is part of the release Harold en Italie / Tristia, op. 18 / Les Troyens à Carthage: Prelude
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Philips Classics is the label of the song Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore)
Philips Classics is the label of the song Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore)
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was released on 1983
Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore) was released on 1983
MusicBrainz core data (CC0)Retrieved Sep 30, 2026