What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Released on EMI Classics, also Samson et Dalila : « Mon cœur s’ouvre à ta voix » (Maria Callas), Tosca: “Vissi d'arte” (Tosca) (Maria Callas) and Orphée et Eurydice : « J’ai perdu mon Eurydice » (Maria Callas)
Produced by Michel Glotz, also Carmen : Acte I. « Près des remparts de Séville » (Maria Callas), Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) (Maria Callas) and Carmen : « Les tringles des sistres tintaient » (Chanson bohème) (Jane Berbié)
Recorded at Berliner Philharmonie, also Ave verum corpus in D major, K. 618 (Radiokören), Konzert für Violine und Orchester e-moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Anne‐Sophie Mutter) and Konzert für Violine und Orchester e-moll, op. 64: II. Andante (Anne‐Sophie Mutter)
Engineered by Wolfgang Gülich, also Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) (Helen Donath), Symphony no. 39 in E-flat major, K. 543: IV. Allegro and Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen (Wiener Singverein)
Worth knowing
Counted from cited credits on fono.
438 other songs on fono were recorded at Berliner Philharmonie, by Herbert von Karajan and Simon Rattle and others
Michel Glotz produced 258 songs on fono
Hector Berlioz wrote 205 songs on fono
Michel Glotz’s most frequent co-producer is Werner Mayer (29 songs together)
Credits
All 6 credits
- Written by
- Hector Berlioz
- Produced by
- Michel Glotz
- Engineered by
- Wolfgang Gülich
- Part of
- Karajan: The Legend
- Recorded at
- Berliner Philharmonie
- Released on
- EMI Classics
- Written by
- Hector Berlioz
- Produced by
- Michel Glotz
- Engineered by
- Wolfgang Gülich
- Part of
- Karajan: The Legend
- Recorded at
- Berliner Philharmonie
- Released on
- EMI Classics
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same producer: Michel Glotz
Same engineer: Wolfgang Gülich
Same writer: Hector Berlioz
Same label: EMI Classics
Same studio: Berliner Philharmonie
Same producer: Michel Glotz
Same engineer: Wolfgang Gülich
Same writer: Hector Berlioz
Elsewhere
Sources (7)
Every fact on this page comes from one of these sources.
1MusicBrainz La Damnation de Faust, op. 24: Hungarian March was produced by Michel Glotz
La Damnation de Faust, op. 24: Hungarian March was produced by Michel Glotz
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz La Damnation de Faust, op. 24: Hungarian March was written by Hector Berlioz
La Damnation de Faust, op. 24: Hungarian March was written by Hector Berlioz
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz La Damnation de Faust, op. 24: Hungarian March is part of the release Karajan: The Legend
La Damnation de Faust, op. 24: Hungarian March is part of the release Karajan: The Legend
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz La Damnation de Faust, op. 24: Hungarian March was recorded at Berliner Philharmonie
La Damnation de Faust, op. 24: Hungarian March was recorded at Berliner Philharmonie
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz EMI Classics is the label of the song La Damnation de Faust, op. 24: Hungarian March
EMI Classics is the label of the song La Damnation de Faust, op. 24: Hungarian March
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz La Damnation de Faust, op. 24: Hungarian March was engineered by Wolfgang Gülich
La Damnation de Faust, op. 24: Hungarian March was engineered by Wolfgang Gülich
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz La Damnation de Faust, op. 24: Hungarian March was released on 1993
La Damnation de Faust, op. 24: Hungarian March was released on 1993
MusicBrainz core data (CC0)Retrieved Sep 30, 2026