What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Released on Deutsche Grammophon, also Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco (Martha Argerich), Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (Göteborgs Symfoniker) and Barcarolle in F-sharp major, op. 60: Allegretto (Martha Argerich)
Written by Сергей Сергеевич Прокофьев, also Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante (Boston Symphony Orchestra), Concerto for Piano and Orchestra no. 3 in C major, op. 26: I Andante. Allegro (Martha Argerich) and I Believe in Father Christmas (Greg Lake)
Engineered by Karl-August Naegler, also Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) (Ambrosian Singers), West Side Story: No. 12: I Feel Pretty (Kiri Te Kanawa) and Carmen : Acte III, Nº 21. Air « Je dis que rien ne m’épouvante » (Micaëla) (Ileana Cotrubaș)
Produced by Christopher Alder, also Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor) (Siegfried Jerusalem), Cuban Overture (Chicago Symphony Orchestra) and Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Allegro brioso – Poco più mosso – Tempo I – Meno mosso – Più mosso (Tempo I) – Animato – (Евгений Кисин)
Worth knowing
Counted from cited credits on fono.
154 other songs on fono were recorded at Konzerthaus: Großer Saal, by Marc Minkowski and Les Musiciens du Louvre and others
15 other songs on fono were recorded at Berliner Philharmonie: Kammermusiksaal, by Chamber Orchestra of Europe and Claudio Abbado and others
Karl-August Naegler engineered 509 songs on fono
Сергей Сергеевич Прокофьев wrote 406 songs on fono
Credits
All 8 credits
- Written by
- Сергей Сергеевич Прокофьев
- Produced by
- Christopher Alder
- Performed by
- Sting
- Engineered by
- Karl-August Naegler
- Recorded at
- Berliner Philharmonie: Kammermusiksaal and Konzerthaus: Großer Saal
- Released on
- Deutsche Grammophon
- Written by
- Сергей Сергеевич Прокофьев
- Produced by
- Christopher Alder
- Performed by
- Sting
- Engineered by
- Karl-August Naegler
- Recorded at
- Berliner Philharmonie: Kammermusiksaal and Konzerthaus: Großer Saal
- Released on
- Deutsche Grammophon
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same writer: Сергей Сергеевич Прокофьев
Same engineer: Karl-August Naegler
Same producer: Christopher Alder
Same label: Deutsche Grammophon
Same studio: Konzerthaus: Großer Saal
Same release: Peter and the Wolf / Classical Symphony / Overture on Hebrew Themes / March
Same writer: Сергей Сергеевич Прокофьев
Same engineer: Karl-August Naegler
Elsewhere
Sources (9)
Every fact on this page comes from one of these sources.
1MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was performed by Sting
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was performed by Sting
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was produced by Christopher Alder
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was produced by Christopher Alder
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was written by Сергей Сергеевич Прокофьев
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was written by Сергей Сергеевич Прокофьев
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo is part of the release Peter and the Wolf / Classical Symphony / Overture on Hebrew Themes / March
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo is part of the release Peter and the Wolf / Classical Symphony / Overture on Hebrew Themes / March
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was recorded at Berliner Philharmonie: Kammermusiksaal
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was recorded at Berliner Philharmonie: Kammermusiksaal
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was recorded at Konzerthaus: Großer Saal
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was recorded at Konzerthaus: Großer Saal
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz Deutsche Grammophon is the label of the song Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo
Deutsche Grammophon is the label of the song Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
8MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was engineered by Karl-August Naegler
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was engineered by Karl-August Naegler
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
9MusicBrainz Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was released on 1991-01-14
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo was released on 1991-01-14
MusicBrainz core data (CC0)Retrieved Sep 30, 2026