What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Written by Johann Sebastian Bach, also Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro (Oregon Bach Festival Chamber Orchestra), Goldberg Variations, BWV 988: Aria (Glenn Gould) and Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" (Choir of King’s College, Cambridge)
Released on TELDEC, also Laßt uns unsre alten Lieder (Heino), BWV 3 BC A33: "Ach Gott, wie manches Herzeleid": VI Choral (Coro) »Erhalt mein Herz in Glauben rein« (Hans Gillesberger) and Missa solemnis in C minor, K. 139 "Waisenmesse": Credo: Crucifixus etiam pro nobis (Concentus Musicus Wien)
Recorded at Casino Zögernitz, also Requiem in D minor, K. 626 (Beyer Edition): VI. "Benedictus" (Rachel Yakar), Requiem in D minor, K. 626 (Beyer Edition): IVa. Offertorium: "Domine Jesu" (Rachel Yakar) and Requiem in D minor, K. 626 (Beyer Edition): VII. "Agnus Dei" (Chor der Wiener Staatsoper)
Part of Das Kantatenwerk: Sacred Cantatas Vol. 3: BWV 37-52, 54-60, also Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Choeur. "Es ist dir gesagt, Mensch, was gut ist" (Knabenchor Hannover), Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria. "Weiss ich Gottes Rechte" (Kurt Equiluz) and Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Récitatif. "Der Höchste lässt mich seinen Willen wissen" (Kurt Equiluz)
Worth knowing
Counted from cited credits on fono.
Johann Sebastian Bach wrote 3786 songs on fono, more than any other writer
309 other songs on fono were recorded at Casino Zögernitz, by Nikolaus Harnoncourt and Concentus Musicus Wien and others
Johann Sebastian Bach’s most frequent co-writer is [anonymous] (286 songs together)
Johann Sebastian Bach first appears on fono in 1957, 37 years before this song
Credits
All 6 credits
- Written by
- Johann Sebastian Bach
- Performed by
- Paul Esswood and Ruud van der Meer
- Recorded at
- Casino Zögernitz
- Released on
- TELDEC
- Written by
- Johann Sebastian Bach
- Performed by
- Paul Esswood and Ruud van der Meer
- Recorded at
- Casino Zögernitz
- Released on
- TELDEC
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same writer: Johann Sebastian Bach
Same label: TELDEC
Same studio: Casino Zögernitz
Same release: Das Kantatenwerk: Sacred Cantatas Vol. 3: BWV 37-52, 54-60
Same writer: Johann Sebastian Bach
Same label: TELDEC
Same studio: Casino Zögernitz
Same release: Das Kantatenwerk: Sacred Cantatas Vol. 3: BWV 37-52, 54-60
Elsewhere
Sources (7)
Every fact on this page comes from one of these sources.
1MusicBrainz Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was performed by Paul Esswood
Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was performed by Paul Esswood
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was performed by Ruud van der Meer
Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was performed by Ruud van der Meer
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was written by Johann Sebastian Bach
Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was written by Johann Sebastian Bach
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" is part of the release Das Kantatenwerk: Sacred Cantatas Vol. 3: BWV 37-52, 54-60
Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" is part of the release Das Kantatenwerk: Sacred Cantatas Vol. 3: BWV 37-52, 54-60
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was recorded at Casino Zögernitz
Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was recorded at Casino Zögernitz
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz TELDEC is the label of the song Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt"
TELDEC is the label of the song Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt"
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was released on 1994
Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" was released on 1994
MusicBrainz core data (CC0)Retrieved Sep 30, 2026