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Artwork for English Folk Song Suite: I. March (Seventeen Come Sunday) London Symphony Orchestra, Sir Adrian Boult

English Folk Song Suite: I. March (Seventeen Come Sunday)

London Symphony Orchestra, Sir Adrian Boult

7 sources

7 cited facts

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Credits it shares with other songs, each from a cited source. Tap a number or a name.

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  1. Released on EMI, also Karma Police (Radiohead), Bohemian Rhapsody (Queen) and Paranoid Android (Radiohead)

  2. Recorded at Kingsway Hall, also Etude in E major, op. 10 no. 3 “Tristesse” (Vladimir Ashkenazy), La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) (London Opera Chorus) and L’elisir d’amore: Atto II. “Una furtiva lagrima” (Luciano Pavarotti)

  3. Produced by Christopher Bishop, also Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" (Choir of King’s College, Cambridge), Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) (Academy of St Martin in the Fields) and Swan Lake, op. 20: Act II: No. 10. Scène. Moderato

  4. Written by Ralph Vaughan Williams, also Fantasia on “Greensleeves” (Sir John in Love) (Sinfonia of London), The Lark Ascending (opening) (Hugh Bean) and O Little Town of Bethlehem (Choir of King’s College, Cambridge)

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Counted from cited credits on fono.

Credits

All 6 credits
Written by
Ralph Vaughan Williams
Produced by
Christopher Bishop
Engineered by
Michael Gray
Part of
Elgar: Enigma Variations / Vaughan Williams: English Folk Songs Suite / Fantasia on "Greensleeves"
Recorded at
Kingsway Hall
Released on
EMI

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Other songs that share a producer, writer, studio or label with this one.

Elsewhere

Sources (7)

Every fact on this page comes from one of these sources.

  1. 1MusicBrainz English Folk Song Suite: I. March (Seventeen Come Sunday) was produced by Christopher Bishop

    English Folk Song Suite: I. March (Seventeen Come Sunday) was produced by Christopher Bishop

    MusicBrainz

    MusicBrainz core data (CC0)Retrieved Sep 30, 2026

  2. 2MusicBrainz English Folk Song Suite: I. March (Seventeen Come Sunday) was written by Ralph Vaughan Williams

    English Folk Song Suite: I. March (Seventeen Come Sunday) was written by Ralph Vaughan Williams

    MusicBrainz

    MusicBrainz core data (CC0)Retrieved Sep 30, 2026

  3. 3MusicBrainz English Folk Song Suite: I. March (Seventeen Come Sunday) is part of the release Elgar: Enigma Variations / Vaughan Williams: English Folk Songs Suite / Fantasia on "Greensleeves"

    English Folk Song Suite: I. March (Seventeen Come Sunday) is part of the release Elgar: Enigma Variations / Vaughan Williams: English Folk Songs Suite / Fantasia on "Greensleeves"

    MusicBrainz

    MusicBrainz core data (CC0)Retrieved Sep 30, 2026

  4. 4MusicBrainz English Folk Song Suite: I. March (Seventeen Come Sunday) was recorded at Kingsway Hall

    English Folk Song Suite: I. March (Seventeen Come Sunday) was recorded at Kingsway Hall

    MusicBrainz

    MusicBrainz core data (CC0)Retrieved Sep 30, 2026

  5. 5MusicBrainz EMI is the label of the song English Folk Song Suite: I. March (Seventeen Come Sunday)

    EMI is the label of the song English Folk Song Suite: I. March (Seventeen Come Sunday)

    MusicBrainz

    MusicBrainz core data (CC0)Retrieved Sep 30, 2026

  6. 6MusicBrainz English Folk Song Suite: I. March (Seventeen Come Sunday) was engineered by Michael Gray

    English Folk Song Suite: I. March (Seventeen Come Sunday) was engineered by Michael Gray

    MusicBrainz

    MusicBrainz core data (CC0)Retrieved Sep 30, 2026

  7. 7MusicBrainz English Folk Song Suite: I. March (Seventeen Come Sunday) was released on 1988

    English Folk Song Suite: I. March (Seventeen Come Sunday) was released on 1988

    MusicBrainz

    MusicBrainz core data (CC0)Retrieved Sep 30, 2026