What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Written by [anonymous], also Ave Maria (Luciano Pavarotti), Saltarello (Dead Can Dance) and Misirlou (Dick Dale and His Del‐Tones)
Released on Classic Produktion Osnabrück, also 6 Symphonies, op. 4 no. 4 in D major: I. Allegro maestoso (La Stagione Frankfurt), 6 Symphonies, op. 4 no. 4 in D major: II. Andante (La Stagione Frankfurt) and 6 Symphonies, op. 4 no. 4 in D major: III. Presto (La Stagione Frankfurt)
Recorded at Radio Bremen Sendesaal, also Mass in C major, BWV App. C (ex Anh. 25): 2. Christe eleison (Alsfelder Vokalensemble), Konzert für Cembalo und Basso continuo c-moll Wq 37: I. Allegro assai (Ludger Rémy) and Konzert für Cembalo und Basso continuo c-moll Wq 37: II. Andante ed arioso (Ludger Rémy)
Engineered by Frauke Schulz, also Konzert für Cembalo und Basso continuo c-moll Wq 37: I. Allegro assai (Ludger Rémy), Konzert für Cembalo und Basso continuo c-moll Wq 37: II. Andante ed arioso (Ludger Rémy) and Konzert für Cembalo und Basso continuo c-moll Wq 37: III. Presto (Ludger Rémy)
Worth knowing
Counted from cited credits on fono.
58 other songs on fono were recorded at Radio Bremen Sendesaal, by Wolfgang Helbich and Steintor Barock and others
Andreas Heintzeler produced 5 of Johanna Koslowsky’s top 8 songs
Christine Potschkat engineered 5 of Johanna Koslowsky’s top 8 songs
[anonymous] wrote 731 songs on fono
Credits
All 9 credits
- Written by
- [anonymous]
- Produced by
- Andreas Heintzeler and Helmut Schaarschmidt
- Performed by
- Johanna Koslowsky
- Engineered by
- Christine Potschkat and Frauke Schulz
- Part of
- The Apocryphal Bach Cantatas
- Recorded at
- Radio Bremen Sendesaal
- Released on
- Classic Produktion Osnabrück
- Written by
- [anonymous]
- Produced by
- Andreas Heintzeler and Helmut Schaarschmidt
- Performed by
- Johanna Koslowsky
- Engineered by
- Christine Potschkat and Frauke Schulz
- Part of
- The Apocryphal Bach Cantatas
- Recorded at
- Radio Bremen Sendesaal
- Released on
- Classic Produktion Osnabrück
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same writer: [anonymous]
Same engineer: Frauke Schulz
Same producer: Helmut Schaarschmidt
Same label: Classic Produktion Osnabrück
Same studio: Radio Bremen Sendesaal
Same writer: [anonymous]
Same engineer: Frauke Schulz
Same producer: Helmut Schaarschmidt
Elsewhere
Sources (10)
Every fact on this page comes from one of these sources.
1MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was performed by Johanna Koslowsky
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was performed by Johanna Koslowsky
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was produced by Andreas Heintzeler
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was produced by Andreas Heintzeler
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was produced by Helmut Schaarschmidt
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was produced by Helmut Schaarschmidt
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was written by [anonymous]
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was written by [anonymous]
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! is part of the release The Apocryphal Bach Cantatas
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! is part of the release The Apocryphal Bach Cantatas
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was recorded at Radio Bremen Sendesaal
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was recorded at Radio Bremen Sendesaal
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz Classic Produktion Osnabrück is the label of the song Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent!
Classic Produktion Osnabrück is the label of the song Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent!
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
8MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was engineered by Christine Potschkat
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was engineered by Christine Potschkat
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
9MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was engineered by Frauke Schulz
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was engineered by Frauke Schulz
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
10MusicBrainz Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was released on 1992
Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent! was released on 1992
MusicBrainz core data (CC0)Retrieved Sep 30, 2026