What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Written by [anonymous], also Ave Maria (Luciano Pavarotti), Saltarello (Dead Can Dance) and Misirlou (Dick Dale and His Del‐Tones)
Released on Classic Produktion Osnabrück, also 6 Symphonies, op. 4 no. 4 in D major: I. Allegro maestoso (La Stagione Frankfurt), 6 Symphonies, op. 4 no. 4 in D major: II. Andante (La Stagione Frankfurt) and 6 Symphonies, op. 4 no. 4 in D major: III. Presto (La Stagione Frankfurt)
Recorded at Radio Bremen Sendesaal, also Mass in C major, BWV App. C (ex Anh. 25): 2. Christe eleison (Alsfelder Vokalensemble), Konzert für Cembalo und Basso continuo c-moll Wq 37: I. Allegro assai (Ludger Rémy) and Konzert für Cembalo und Basso continuo c-moll Wq 37: II. Andante ed arioso (Ludger Rémy)
Engineered by Frauke Schulz, also Konzert für Cembalo und Basso continuo c-moll Wq 37: I. Allegro assai (Ludger Rémy), Konzert für Cembalo und Basso continuo c-moll Wq 37: II. Andante ed arioso (Ludger Rémy) and Konzert für Cembalo und Basso continuo c-moll Wq 37: III. Presto (Ludger Rémy)
Worth knowing
Counted from cited credits on fono.
58 other songs on fono were recorded at Radio Bremen Sendesaal, by Wolfgang Helbich and Steintor Barock and others
[anonymous] wrote 731 songs on fono
[anonymous]’s most frequent co-writer is Johann Sebastian Bach (286 songs together)
Frauke Schulz engineered 41 songs on fono
Credits
All 9 credits
- Written by
- [anonymous]
- Produced by
- Andreas Heintzeler and Helmut Schaarschmidt
- Performed by
- Harry Geraerts
- Engineered by
- Christine Potschkat and Frauke Schulz
- Part of
- The Apocryphal Bach Cantatas
- Recorded at
- Radio Bremen Sendesaal
- Released on
- Classic Produktion Osnabrück
- Written by
- [anonymous]
- Produced by
- Andreas Heintzeler and Helmut Schaarschmidt
- Performed by
- Harry Geraerts
- Engineered by
- Christine Potschkat and Frauke Schulz
- Part of
- The Apocryphal Bach Cantatas
- Recorded at
- Radio Bremen Sendesaal
- Released on
- Classic Produktion Osnabrück
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same writer: [anonymous]
Same engineer: Frauke Schulz
Same producer: Helmut Schaarschmidt
Same label: Classic Produktion Osnabrück
Same studio: Radio Bremen Sendesaal
Same writer: [anonymous]
Same engineer: Frauke Schulz
Same producer: Helmut Schaarschmidt
Elsewhere
Sources (10)
Every fact on this page comes from one of these sources.
1MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was performed by Harry Geraerts
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was performed by Harry Geraerts
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was produced by Andreas Heintzeler
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was produced by Andreas Heintzeler
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was produced by Helmut Schaarschmidt
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was produced by Helmut Schaarschmidt
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was written by [anonymous]
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was written by [anonymous]
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten is part of the release The Apocryphal Bach Cantatas
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten is part of the release The Apocryphal Bach Cantatas
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was recorded at Radio Bremen Sendesaal
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was recorded at Radio Bremen Sendesaal
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz Classic Produktion Osnabrück is the label of the song Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten
Classic Produktion Osnabrück is the label of the song Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
8MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was engineered by Christine Potschkat
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was engineered by Christine Potschkat
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
9MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was engineered by Frauke Schulz
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was engineered by Frauke Schulz
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
10MusicBrainz Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was released on 1992
Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten was released on 1992
MusicBrainz core data (CC0)Retrieved Sep 30, 2026