What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Produced by Christoph Franke, also Beach Scene (Tangerine Dream), Burning Bar (Tangerine Dream) and Dr. Destructo (Tangerine Dream)
Recorded at Berliner Philharmonie, also Ave verum corpus in D major, K. 618 (Radiokören), Konzert für Violine und Orchester e-moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Anne‐Sophie Mutter) and Konzert für Violine und Orchester e-moll, op. 64: II. Andante (Anne‐Sophie Mutter)
Written by John Adams, also Two Fanfares: 2. Short Ride in a Fast Machine (City of Birmingham Symphony Orchestra), The Chairman Dances: Foxtrot for Orchestra (City of Birmingham Symphony Orchestra) and Gnarly Buttons: III. Put Your Loving Arms Around Me (Michael Collins)
Engineered by René Möller, also Olympic Fanfare and Theme (Berliner Philharmoniker), Saul, HWV 53: Act III, Scene V. Air "In sweetest harmony they lived!" (Michal) / Solo "O fatal day" (David and Chorus) / Recitative "Ye men of Judah, weep no more!" (Abner) (Rosemary Joshua) and Saul, HWV 53: Act I, Scene II. Recitative "He comes, he comes" (Michal) / Air "O God-like youth!" (Michal) / Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David) (Rosemary Joshua)
Worth knowing
Counted from cited credits on fono.
438 other songs on fono were recorded at Berliner Philharmonie, by Berliner Philharmoniker and Herbert von Karajan and others
John Adams wrote 6 of Daniel Bubeck’s top 10 songs
René Möller engineered 152 songs on fono
John Adams wrote 101 songs on fono
Credits
All 11 credits
- Written by
- John Adams
- Produced by
- Christoph Franke
- Performed by
- Brian Cummings, Daniel Bubeck, Kelley O'Connor, Nathan Medley and Tamara Mumford
- Engineered by
- René Möller
- Part of
- The John Adams Edition
- Recorded at
- Berliner Philharmonie
- Released on
- Berliner Philharmoniker Recordings
- Written by
- John Adams
- Produced by
- Christoph Franke
- Performed by
- Brian Cummings, Daniel Bubeck, Kelley O'Connor, Nathan Medley and Tamara Mumford
- Engineered by
- René Möller
- Part of
- The John Adams Edition
- Recorded at
- Berliner Philharmonie
- Released on
- Berliner Philharmoniker Recordings
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same producer: Christoph Franke
Same writer: John Adams
Same engineer: René Möller
Same studio: Berliner Philharmonie
Same label: Berliner Philharmoniker Recordings
Same producer: Christoph Franke
Same writer: John Adams
Same engineer: René Möller
Elsewhere
Sources (12)
Every fact on this page comes from one of these sources.
1MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Brian Cummings
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Brian Cummings
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Daniel Bubeck
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Daniel Bubeck
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Kelley O'Connor
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Kelley O'Connor
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Nathan Medley
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Nathan Medley
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Tamara Mumford
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was performed by Tamara Mumford
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was produced by Christoph Franke
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was produced by Christoph Franke
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was written by John Adams
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was written by John Adams
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
8MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) is part of the release The John Adams Edition
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) is part of the release The John Adams Edition
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
9MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was recorded at Berliner Philharmonie
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was recorded at Berliner Philharmonie
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
10MusicBrainz Berliner Philharmoniker Recordings is the label of the song The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors)
Berliner Philharmoniker Recordings is the label of the song The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors)
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
11MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was engineered by René Möller
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was engineered by René Möller
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
12MusicBrainz The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was released on 2017-11-10
The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) was released on 2017-11-10
MusicBrainz core data (CC0)Retrieved Sep 30, 2026