What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Engineered by John Dunkerley, also Ave Maria (Luciano Pavarotti), Panis angelicus (Luciano Pavarotti) and Cantique de Noel (O Holy Night) (Luciano Pavarotti)
Released on L’Oiseau‐Lyre, also Brandenburg Concerto no. 1 in F major, BWV 1046a: III. Menuet - Trio (Academy of Ancient Music), Brandenburg Concerto no. 1 in F major, BWV 1046a: I. [Allegro] (Academy of Ancient Music) and Brandenburg Concerto no. 1 in F major, BWV 1046a: II. Adagio: Sempre piano (Academy of Ancient Music)
Part of Messiah: A Sacred Oratorio (highlights), also Messiah, HWV 56: Part III. “Behold, I tell you a mystery – The trumpet shall sound”, Messiah, HWV 56: Part I. “Comfort ye my people – Every valley shall be exalted – And the glory of the Lord” and Messiah, HWV 56: Part III. “Worthy is the lamb that was slain – Amen”
Engineered by Martin Atkinson, also Messiah, HWV 56: Part II. “Why do the nations so furiously rage together? – Let us break their bonds asunder” (Simon Preston), Messiah, HWV 56: Part I. “Behold, a virgin shall conceive – O thou that tellest good tidings to Zion” (Simon Preston) and Messiah, HWV 56: Part III. “Behold, I tell you a mystery – The trumpet shall sound”
Worth knowing
Counted from cited credits on fono.
John Dunkerley engineered 10 of Christopher Hogwood’s top 10 songs
John Dunkerley engineered 551 songs on fono
John Dunkerley’s most frequent co-engineer is Colin Moorfoot (105 songs together)
Martin Atkinson engineered 92 songs on fono
Credits
All 5 credits
- Performed by
- Christ Church Cathedral Choir, Oxford
- Engineered by
- John Dunkerley and Martin Atkinson
- Released on
- L’Oiseau‐Lyre
- Performed by
- Christ Church Cathedral Choir, Oxford
- Engineered by
- John Dunkerley and Martin Atkinson
- Released on
- L’Oiseau‐Lyre
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same engineer: John Dunkerley
Same engineer: Martin Atkinson
Same label: L’Oiseau‐Lyre
Same release: Messiah: A Sacred Oratorio (highlights)
Same engineer: John Dunkerley
Same engineer: Martin Atkinson
Same label: L’Oiseau‐Lyre
Same release: Messiah: A Sacred Oratorio (highlights)
Elsewhere
Sources (6)
Every fact on this page comes from one of these sources.
1MusicBrainz Messiah, HWV 56: Part I. “But who may abide the day of his coming” was performed by Christ Church Cathedral Choir, Oxford
Messiah, HWV 56: Part I. “But who may abide the day of his coming” was performed by Christ Church Cathedral Choir, Oxford
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Messiah, HWV 56: Part I. “But who may abide the day of his coming” is part of the release Messiah: A Sacred Oratorio (highlights)
Messiah, HWV 56: Part I. “But who may abide the day of his coming” is part of the release Messiah: A Sacred Oratorio (highlights)
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz L’Oiseau‐Lyre is the label of the song Messiah, HWV 56: Part I. “But who may abide the day of his coming”
L’Oiseau‐Lyre is the label of the song Messiah, HWV 56: Part I. “But who may abide the day of his coming”
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Messiah, HWV 56: Part I. “But who may abide the day of his coming” was engineered by John Dunkerley
Messiah, HWV 56: Part I. “But who may abide the day of his coming” was engineered by John Dunkerley
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Messiah, HWV 56: Part I. “But who may abide the day of his coming” was engineered by Martin Atkinson
Messiah, HWV 56: Part I. “But who may abide the day of his coming” was engineered by Martin Atkinson
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz Messiah, HWV 56: Part I. “But who may abide the day of his coming” was released on 1981
Messiah, HWV 56: Part I. “But who may abide the day of his coming” was released on 1981
MusicBrainz core data (CC0)Retrieved Sep 30, 2026