What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Written by Wolfgang Amadeus Mozart, also Serenade Nr. 13, G‐Dur, K 525, „Eine kleine Nachtmusik“: I. Allegro (Camerata Academica), "Eine kleine Nachtmusik", Serenade no. 13 in G major, K. 525: Menuetto and Trio - Allegretto (Camerata Academica) and Requiem in D minor, K. 626: Sequence: VI. Lacrimosa dies illa (Stefan Klimo)
Produced by James Mallinson, also La bohème: Atto I. “O soave fanciulla” (Rodolfo) (Mirella Freni), La bohème: Atto I. “Che gelida manina” (Rodolfo) (Luciano Pavarotti) and Mattinata (Luciano Pavarotti)
Released on Telarc Digital, also Henry V: Opening and Closing Titles (Erich Kunzel), Robin Hood: Prince of Thieves: Main Titles (Erich Kunzel) and Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Dialogue "He da!... Was da?" (Tamino, Papageno) (Sir Thomas Allen)
Recorded at Usher Hall, also Twelve Variations on Handel's 'See the conqu'ring hero comes' (from Judas Maccabaeus) WoO.45 (Daniel Barenboim), Cello Sonata no. 3 in A major, op. 69: I. Allegro, ma non tanto (Daniel Barenboim) and Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto (Daniel Barenboim)
Worth knowing
Counted from cited credits on fono.
Wolfgang Amadeus Mozart wrote 3034 songs on fono, the 2nd most of any writer
41 other songs on fono were recorded at Usher Hall, by Scottish Chamber Orchestra and Charles Mackerras and others
Wolfgang Amadeus Mozart wrote 4 of Barbara Hendricks’s top 10 songs
James Mallinson produced 550 songs on fono
Credits
All 9 credits
- Written by
- Emanuel Schikaneder and Wolfgang Amadeus Mozart
- Produced by
- James Mallinson
- Performed by
- Barbara Hendricks and Robert Lloyd
- Engineered by
- Jack Renner
- Part of
- Die Zauberflöte
- Recorded at
- Usher Hall
- Released on
- Telarc Digital
- Written by
- Emanuel Schikaneder and Wolfgang Amadeus Mozart
- Produced by
- James Mallinson
- Performed by
- Barbara Hendricks and Robert Lloyd
- Engineered by
- Jack Renner
- Part of
- Die Zauberflöte
- Recorded at
- Usher Hall
- Released on
- Telarc Digital
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same writer: Wolfgang Amadeus Mozart
Serenade Nr. 13, G‐Dur, K 525, „Eine kleine Nachtmusik“: I. Allegro
Camerata Academica, Camerata Accademica Hamburg, Camerata Salzburg, Ljubljana Radio Symphony Orchestra, London Philharmonic Orchestra, Mainzer Kammerorchester, Mozart Festival Orchestra, The Northstar Orchestra, Philharmonia Slavonica, Camerata Labacensis, Günter Kehr, Francesco Macci, Alfred Scholz, Alexander von Pitamic
1987Same producer: James Mallinson
Same engineer: Jack Renner
Same studio: Usher Hall
Same release: Die Zauberflöte
Same writer: Wolfgang Amadeus Mozart
"Eine kleine Nachtmusik", Serenade no. 13 in G major, K. 525: Menuetto and Trio - Allegretto
Camerata Academica, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Salzburg, London Philharmonic Orchestra, Mainzer Kammerorchester, Simfonični orkester RTV Slovenija, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz
1987Same producer: James Mallinson
Same engineer: Jack Renner
Elsewhere
Sources (10)
Every fact on this page comes from one of these sources.
1MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was performed by Barbara Hendricks
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was performed by Barbara Hendricks
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was performed by Robert Lloyd
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was performed by Robert Lloyd
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was produced by James Mallinson
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was produced by James Mallinson
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was written by Emanuel Schikaneder
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was written by Emanuel Schikaneder
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was written by Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was written by Wolfgang Amadeus Mozart
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) is part of the release Die Zauberflöte
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) is part of the release Die Zauberflöte
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was recorded at Usher Hall
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was recorded at Usher Hall
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
8MusicBrainz Telarc Digital is the label of the song Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina)
Telarc Digital is the label of the song Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina)
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
9MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was engineered by Jack Renner
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was engineered by Jack Renner
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
10MusicBrainz Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was released on 1991
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) was released on 1991
MusicBrainz core data (CC0)Retrieved Sep 30, 2026