What connects this song
Credits it shares with other songs, each from a cited source. Tap a number or a name.
Written by Johann Sebastian Bach, also Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro (Oregon Bach Festival Chamber Orchestra), Goldberg Variations, BWV 988: Aria (Glenn Gould) and Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" (Choir of King’s College, Cambridge)
Released on Deutsche Grammophon, also Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco (Martha Argerich), Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (Göteborgs Symfoniker) and Barcarolle in F-sharp major, op. 60: Allegretto (Martha Argerich)
Produced by Christoph Franke, also Beach Scene (Tangerine Dream), Burning Bar (Tangerine Dream) and Dr. Destructo (Tangerine Dream)
Engineered by Sebastian Nattkemper, also Paulus, op. 36, Pt. 1: No. 4b, Duet. Wir haben ihn gehört – Und bewegten das Volk (Julia Kleiter), Paulus, op. 36, Pt. 2: No. 42, Chorus & Recit. Schone doch deiner selbst – Was machet ihr (Georg Zeppenfeld) and Paulus, op. 36, Pt. 1: No. 6, Recit. Und sie sahen auf ihn (Julia Kleiter)
Worth knowing
Counted from cited credits on fono.
Johann Sebastian Bach wrote 3782 songs on fono, more than any other writer
Johann Sebastian Bach’s most frequent co-writer is [anonymous] (286 songs together)
Christoph Franke produced 95 songs on fono
Sebastian Nattkemper engineered 86 songs on fono
Credits
All 7 credits
- Written by
- Johann Sebastian Bach
- Produced by
- Christoph Franke
- Performed by
- Albrecht Mayer and Gottfried von der Goltz
- Engineered by
- Sebastian Nattkemper
- Part of
- Bach Generations
- Released on
- Deutsche Grammophon
- Written by
- Johann Sebastian Bach
- Produced by
- Christoph Franke
- Performed by
- Albrecht Mayer and Gottfried von der Goltz
- Engineered by
- Sebastian Nattkemper
- Part of
- Bach Generations
- Released on
- Deutsche Grammophon
Connected by credits
Other songs that share a producer, writer, studio or label with this one.
Same writer: Johann Sebastian Bach
Same producer: Christoph Franke
Same engineer: Sebastian Nattkemper
Same label: Deutsche Grammophon
Same release: Bach Generations
Same writer: Johann Sebastian Bach
Same producer: Christoph Franke
Same engineer: Sebastian Nattkemper
Elsewhere
Sources (8)
Every fact on this page comes from one of these sources.
1MusicBrainz Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was performed by Albrecht Mayer
Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was performed by Albrecht Mayer
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
2MusicBrainz Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was performed by Gottfried von der Goltz
Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was performed by Gottfried von der Goltz
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
3MusicBrainz Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was produced by Christoph Franke
Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was produced by Christoph Franke
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
4MusicBrainz Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was written by Johann Sebastian Bach
Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was written by Johann Sebastian Bach
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
5MusicBrainz Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) is part of the release Bach Generations
Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) is part of the release Bach Generations
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
6MusicBrainz Deutsche Grammophon is the label of the song Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo)
Deutsche Grammophon is the label of the song Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo)
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
7MusicBrainz Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was engineered by Sebastian Nattkemper
Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was engineered by Sebastian Nattkemper
MusicBrainz core data (CC0)Retrieved Sep 30, 2026
8MusicBrainz Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was released on 2023-08-04
Oster‐Oratorium, BWV 249: No. 7, Sanfte soll mein Todeskummer (Adapted for Oboe d’amore, 2 Recorders, Strings and Basso continuo) was released on 2023-08-04
MusicBrainz core data (CC0)Retrieved Sep 30, 2026